B. James & Son ‘Signature’ MK IV signed by Richard Walker.

In correspondence between Richard Walker and James Bruce (founder of B. James & Son) in 1952, Walker comments on a MK IV carp rod that James Bruce has sent him for approval. While he suggests some minor adjustments to the ferrule’s size, ring spacing and handle length, his main criticism is of the Indian ink inscription on the rod above the handle. He tells Bruce that this is dreadful and suggests that while he’s waiting for transfers of his signature to be supplied, he will inscribe the rods Bruce has in hand.

It has been suggested that the number of rods Walker signed amounted to a couple of batches, but nobody has any clear idea of what a batch consisted of. As the blanks for these rods were supplied by Bob Southwell of Croydon, who made all his blanks by hand and therefore not in large numbers or at great speed, it may be that one or at most two dozen rods were signed by Richard Walker. Very few have come to light. I have seen and heard of a handful. Similarly, there are a tiny number of the rods bearing James Bruce’s inscription that Walker so strongly disapproved of. These Bruce-inscribed rods pre-date the Walker signed ones, and are therefore the earliest of all commercially produced MK IV carp rods.

One or two Walker-signed MK IV Avons are known to exist. As far as we’re aware, all of these Walker-signed rods have the early gold B. James ‘Built To Endure’ transfers.

The whipping of rods was done in the B. James & Son workshop at the time. This rod is whipped with variegated black and white silk. This silk was commonly used on very early B. James rods, notably the Avocet and the very rare Mallard. Its use was largely phased out by 1953 in favour of red and green silks. When varnished, the white component of this thread takes on a yellow-gold hue.

The rod is based on a hand-made split cane blank supplied by Bob Southwell of Croydon. The butt cap and reel bands were made by W R Products of Shepherds Bush.

About twenty years ago, we replaced the butt and tip rings using correct vintage rings and silk thread. With the varnish now mature, it is virtually impossible to detect that this work was done. Apart from that, the rod is entirely original. The bag is original and the ferrule, which is of an early un-spigotted form, retains a very good fit. It has its original hand turned wood and cork stopper.

The bamboo retains its full vigour and the rod is, overall in remarkably good condition. Richard Walker’s signature is perfectly preserved and I must say, he did have the most superb handwriting.